We argue that the common attribution to Zhuangzi of both perspectivalism or relativism on the one hand, and scepticism on the other is fundamentally mistaken. While granting that it is reasonable to construe Zhuangzi as offering a perspectiva! position on judgement, we argue that Zhuangzi's perspectivalism does not commit him to a relativist position on truth or to scepticism about human knowledge. Rather, we maintain that Zhuangzi's attacks on the concepts of truth and knowledge are better seen as his articulation (...) of a species of epistemological nihilism which rejects, as ultimately meaningless, the concepts of truth, reality, and knowledge. (shrink)

Ethics, Policy & Environment, Volume 15, Issue 1, Page 71-76, March 2012.

Background: Ethical issues are increasingly being reported by care-providers; however, little is known about the nature of these issues within the nursing home. Ethical issues are unavoidable in healthcare and can result in opportunities for improving work and care conditions; however, they are also associated with detrimental outcomes including staff burnout and moral distress. Objectives: The purpose of this review was to identify prior research which focuses on ethical issues in the nursing home and to explore staffs’ experiences of ethical (...) issues. Methods: Using a systematic approach based on Aveyard (2014), a literature review was conducted which focused on ethical and moral issues, nurses and nursing assistants, and the nursing home. Findings: The most salient themes identified in the review included clashing ethical principles, issues related to communication, lack of resources and quality of care provision. The review also identified solutions for overcoming the ethical issues that were identified and revealed the definitional challenges that permeate this area of work. Conclusions: The review highlighted a need for improved ethics education for care-providers. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Musical Design in Sophoclean TheaterDeborah H. RobertsWilliam C. Scott. Musical Design in Sophoclean Theater. Hanover, N.H., and London: University Press of New England, for Dartmouth College, 1996. xxii 1 330 pp. Cloth, $45.Music and the chorus that performed most of this music were fundamental elements in Greek tragedy, but we know very little about the music of tragedy, and it is notoriously difficult to find a successful way (...) of staging the chorus in modern productions. Among the great theorists of tragedy, Aristotle, who knew the music, placed it considerably below plot in importance; Nietzsche, who didn’t, saw it as tragedy’s source and essence. Recent criticism, turning increasingly from text to context, and concerning itself with both social context and performance context, again leads us from a variety of perspectives to consider the role of music and of the chorus in Greek tragedy.In Musical Design in Sophoclean Theater, a sequel of sorts to his earlier book on Aeschylus, William Scott looks at music less as an aspect of context than as an aspect of text; that is, he works with all that remains to us of tragedy’s music, the metrical forms of lyric. He does not understate the difficulties that confront his project and notes our lack of knowledge about melody and even about rhythm. But he seeks by a detailed analysis of metrical patterning and strophic form to show how music may have contributed to choral persona, the progress of choral response, the interchange between characters, the statement of dramatic theme, and the workings of dramatic irony. Scott’s aim is in part to enable producers of Greek plays to translate Greek musical idiom into something analogous to assist the meaning of the play; to that end, here as in the earlier book, he provides an introduction specifically for readers working in translation.Scott gives a useful account of the basic meters of Greek tragedy, avoiding the more arcane reaches of metrical studies and eschewing debate (except in the notes) over the exact metrical interpretation of particular passages. Readers will need to supplement Scott’s text with some form of aural experience of meter (reading out loud themselves, listening to others) if they are to get any sense of musicality; but he does about as much as can be done on the printed page. His comments both general and particular on the Sophoclean chorus and its varied roles and voices clarify its sometimes enigmatic presence for the newcomer to tragedy and also have something to offer to the scholar and teacher. His interpretations of the plays are not themselves novel in either approach or conclusions (nor are they intended to be), but they are again helpful; and in showing how attention to musical elements may strengthen a particular reading Scott vividly brings out important aspects of the plays. Notes and bibliography are thorough, and Scott extensively cites earlier work on the Sophoclean chorus.After a brief introductory chapter, the book consists largely of readings of each of Sophocles’ extant plays informed by metrical analysis and interpretation [End Page 123] of all lyric and anapestic passages in the order in which they occur. The second chapter deals with Antigone and Ajax, and the third with Trachiniae, Oedipus Tyrannus, Electra, and Philoctetes. In the last chapter, after recapitulating the chief features of musical design in the earlier plays, Scott turns to a concluding analysis of Oedipus at Colonus, which he sees as peculiarly varied and innovative. For each play he seeks to show how “scansion patterns can offer a clue to the rich effects available in a full musical performance” and how “it is possible to see from the scansion patterns that there are ironies and enriched meanings in the words that are supported in the musical design” (9). He takes account of the well-known associations of a few meters (dochmiacs with heightened emotion, sequences of dactyls with allusion to epic and so forth) but is primarily concerned with the meanings meters and groups of meters take on in particular metrical and dramatic contexts. Central to Scott’s interpretations is the assumption that the Greek audience responded to the odes in... (shrink)

The line in question occurs towards the end of Orestes' final exchange with Clytemnestra, after her attempts at self-defence have all met with rebuttal.

Background: Palliative care is acknowledged as an appropriate approach to support older people in nursing homes. Ethical issues arise from many aspects of palliative care provision in nursing homes; however, they have not been investigated in this context. Aim: To explore the ethical issues associated with palliative care in nursing homes in the United Kingdom. Design: Exploratory, sequential, mixed-methods design. Methods: Semi-structured interviews with 13 registered nurses and 10 healthcare assistants (HCAs) working in 13 nursing homes in the United Kingdom (...) were used to explore ethical issues in palliative care. The ‘Ethical Issues in Palliative Care for Nursing Homes’ instrument was used to measure the frequency and level of distress arising from ethical issues through a cross-sectional survey with 69 registered nurses and 129 healthcare assistants. Data collection occurred between December 2014 and November 2015. Ethical considerations: Ethical approval was granted by Queen’s University’s School of Nursing and Midwifery Research Ethics Committee and governance sought from each nursing home’s manager. Findings: The interviews revealed three themes: ethical issues in practice; relational issues; and organisational issues. No significant differences between registered nurses and healthcare assistants were evident, confirming the patterns emerging from the interviews. Relational issues, primarily issues with residents and families, occurred most frequently and caused greater distress. Conclusion: The shared environment is key in the experience of ethical issues; therefore, multidisciplinary education is needed for ethical decision making in palliative care. Addressing staff knowledge and service organisation may reduce ethical issues locally and provide a benchmark for global change. (shrink)

Zhuangzi often is portrayed as a kind of ethical relativist. This popular reading has been challenged by Philip Ivanhoe, who argues that Zhuangzi is not a relativist but rather that Zhuangzi articulates a normative theory of benignity. In this paper we argue against Ivanhoe’s interpretation. We further argue that Zhuangzi is an ethical nihilist, who rejects all ethical positions.

This passage, which appears without variation at the end of four of Euripides' tragedies and with slight variation in a fifth,1 is perhaps the most notorious of the brief sequences of lines, usually anapaestic and usually assigned to the chorus, with which nearly all the extant plays of Sophocles and Euripides conclude.2 Unlike the more varied final speeches of extant Aeschylean tragedy, which are closely integrated with the play's concluding action, these passages often seem almost detachable from such action, a (...) comment upon or merely after finished business rather than a part of its finishing. In some instances there is general scholarly agreement that the concluding lines are relevant to the action of a play, but many of these passages have been variously dismissed by scholars - as interpolations, as mere dramatic conveniences, or as intentional throwaways. (shrink)

This research examined whether the non-conscious activation of an implicit appraisal concept could affect responses associated with the corresponding emotion as predicted by appraisal theories. Explicit and implicit emotional responses were examined. We focused on implicit unfairness and its effect on anger. The results show that subliminal activation of implicit unfairness affected implicit anger responses but not explicit anger feelings . The non-conscious effect of implicit unfairness was specific to anger, as no effect on sadness, fear, and guilt was found.

The idea of public or stakeholder engagement in governance of science and technology is widely accepted in many policy and academic research settings. However, this enthusiasm for stakeholder engagement has not necessarily resulted in changes of attitudes toward the role of stakeholders in the dialogue nor to the value of public knowledge, practical experience, and other inputs (like salient questions) vis-à-vis expert knowledge. The formal systems of evaluation of the stakeholder engagement activities are often focused on showing that the method (...) is efficient and works. In this article, we argue that every stakeholder engagement process should be evaluated beyond a simple assessment of the methodology and that the wider context of the stakeholder engagement activity should also be addressed. We evaluate two different stakeholder engagement activities against the existing method evaluation criteria and demonstrate their limitations for assessing the quality of a stakeholder engagement. We argue that these criteria need to be extended so that engagement processes will have a chance to improve not only policies but also their democratic legitimacy. (shrink)

Whenever we read any philosophical work dealing with the nature of qualities, the status of universals, or similar problems, we find continual references to colour; redness and blueness meet us on every page. Even Whitehead, whose obscurity is, at least in part, due to his avoidance of particular instances, condescends to cite colours as examples of “eternal objects” and other cases will occur at once to every reader.

Chefs have been recognized as potentially important partners in efforts to promote local food systems. Drawing on the diffusion of innovation framework we (a) examine the characteristics of chefs and restaurants that have adopted local foods; (b) identified local food attributes valued by restaurants; (c) examine how restaurants function as opinion leaders promoting local foods; (d) explored network linkages between culinary and production organizations; and (e) finally, we consider some of the barriers to more widespread adoption of local foods in (...) the culinary community. Analyzing quantitative and qualitative data collected from interviews with individuals from 71 restaurants, we compare and contrast restaurants that utilize relatively large amounts of locally-produced ingredients with restaurants using few, if any, local products. Results reveal that chefs are most interested in intrinsic food qualities, such as taste and freshness, and less interested in production standards. As opinion leaders, chefs utilize signage, wait staff, and cooking classes to promote local foods; however, the diffusion process across restaurants, and between restaurants and producers, is limited by network associations. Structural barriers such as distribution problems and lack of convenience were identified as limiting more widespread use of locally-grown foods. We offer several implications of this research for further work that seeks to engage chefs as opinion leaders who are important to building greater support for local food systems. (shrink)

The object of this article is not to criticize Professor Watson's psychology, still less his physiology; neither do I wish to attempt a fundamental metaphysical criticism, such as that contained in Professor Lloyd Morgan's article in the April number of the Journal, but it appears to me that a purely logical criticism, admitting Professor Watson's facts and observations, and assuming his mechanistic point of view, may be a useful preliminary to such wider and more fundamental inquiry.

The psychological cost on emotional well-being due to the collateral damage brought about by COVID-19 in accessing oncological services for breast cancer diagnosis and treatment has been documented by recent studies in the United Kingdom. The current study set out to examine the effect of delays to scheduled oncology services on emotional and cognitive vulnerability in women with a breast cancer diagnosis in Iran, one of the very first countries to be heavily impacted by COVID-19. One hundred thirty-nine women with (...) a diagnosis of primary breast cancer answered a series of online questionnaires to assess the current state of rumination, worry, and cognitive vulnerability as well as the emotional impact of COVID-19 on their mental health. Results indicated that delays in accessing oncology services significantly increased COVID related emotional vulnerability. Regression analyses revealed that after controlling for the effects of sociodemographic and clinical variables, women’s COVID related emotional vulnerability explained higher levels of ruminative response and chronic worry as well as poorer cognitive function. This study is the first in Iran to demonstrate that the effects of COVID-19 on emotional health amongst women affected by breast cancer can exaggerate anxiety and depressive related symptoms increasing risks for clinical levels of these disorders. Our findings call for an urgent need to address these risks using targeted interventions exercising resilience. (shrink)

The author elaborates on the discussion of probability of keynes and urmson. He fills out the details of urmson's two senses of 'probable'. (staff).

Many scholars believe that traditional courses in ethics (especially business ethics) have not been successful in making students ethical. The best that educators can hope is that these courses will help build ethical awareness. It is thus apparent that the apparatus used to teach ethics does not inspire the intellectual leap needed between the abstract awareness of ethical issues to the functional changes in behavior and decision-making. This paper posits that the creative arts, including literature, poetry, music, pictorial art, and (...) film, may provide the tools to help bridge that gap. The creative arts can profoundly impact individuals and cause social change by gradually implanting values and changing beliefs. They can instill morals by using stories, sounds, and images and arouse the passion needed to change behaviors. (shrink)